Atonality Aversion

the dancers.medival writing.

Webner House

On Friday we’ll be going to another performance of the Columbus Symphony.  Part of the Symphony’s American Roots Festival series, the performance will mix familiar pieces — such as George Gershwin’s Rhapsody in Blue and an overture by Antonin Dvorak — with some works that are totally unknown to me, including George Antheil’s Jazz Symphony and Kurt Weill’s Little Threepenny Music.

I’m always game to listen to a new musical composition, but I approach such performances with a mix of anticipation and apprehension.  I love classical music and enjoy just about everything from the baroque era forward — until we get to the “modern” classical music of the mid-20th century.  Atonal and jarring, discordant and squawking, the modern compositions are just not pleasant to hear in my view and suffer by comparison to the richly melodic and beautiful compositions of the masters.  It’s as if the classical music…

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